{"id":1836,"date":"2026-04-25T17:26:40","date_gmt":"2026-04-25T14:26:40","guid":{"rendered":"https:\/\/denkarabisch.de\/en\/blog\/\/"},"modified":"2026-05-13T23:23:12","modified_gmt":"2026-05-13T20:23:12","slug":"noon-sakinah-and-tanween-rules","status":"publish","type":"post","link":"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/","title":{"rendered":"Noon Sakinah And Tanween Rules &#8211; The Ultimate Guide To Tajweed"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>Takeaway:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Noon Sakinah (\u0646\u0652) and Tanween (\u064b \u064d \u064c) both produce an \u201cn\u201d sound and follow identical Tajweed rules based on the letter that comes next.<\/li>\n\n\n\n<li>Rule 1 \u2013 Izhar (Clarity): Pronounce the \u201cn\u201d clearly with no nasal hum when followed by any of the six throat letters (\u0621, \u0647, \u0639, \u062d, \u063a, \u062e).<\/li>\n\n\n\n<li>Rule 2 \u2013 Idgham (Merging): Merge the \u201cn\u201d into the next letter; hold a two-count nasal hum (ghunnah) with \u064a, \u0646, \u0645, \u0648, but no ghunnah at all with \u0644 or \u0631.<\/li>\n\n\n\n<li>Rule 3 \u2013 Iqlab (Conversion): Change the \u201cn\u201d into a hidden Meem (\u0645) sound with two counts of ghunnah when followed by \u0628 (Baa).<\/li>\n\n\n\n<li>Rule 4 \u2013 Ikhfa (Hiding): Conceal the \u201cn\u201d with a light or heavy two-count nasalization when followed by any of the 15 remaining letters (\u0635, \u0630, \u062b, \u0643, \u062c, \u0634, \u0642, \u0633, \u062f, \u0637, \u0632, \u0641, \u062a, \u0636, \u0638).<\/li>\n\n\n\n<li>The nasal ghunnah always lasts two beats in Idgham-with-ghunnah, Iqlab, and Ikhfa; Izhar and Idgham-without-ghunnah have no nasalization.<\/li>\n\n\n\n<li>Tanween only appears at the end of nouns, and its \u201cn\u201d sound is dropped when stopping on the word (waqf).<\/li>\n\n\n\n<li>Practical mastery depends on listening to skilled reciters, consistent practice, and live feedback from a qualified teacher.<\/li>\n<\/ul>\n\n\n\n<p>Mastering the recitation of the Quran begins with understanding how letters interact. Among the most fundamental yet transformative rules are those governing <strong>Noon Sakinah and Tanween<\/strong>. These rules dictate how the &#8220;N&#8221; sound is pronounced, merged, or hidden, giving the Quranic recitation its unique, melodic rhythm and precision.<\/p>\n\n\n\n<p>In this comprehensive guide, we will break down the mechanics, the letters, and the practical application of these rules to help you recite with beauty and accuracy.<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_80 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\"><p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<\/div><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#What_is_Saakin_in_Tajweed\" >What is Saakin in Tajweed?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#Definition_of_Noon_Sakinah_and_Tanween\" >Definition of Noon Sakinah and Tanween<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#The_Difference_Between_Noon_Sakinah_and_Tanween\" >The Difference Between Noon Sakinah and Tanween<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#The_Four_Rules_of_Noon_Sakinah_and_Tanween\" >The Four Rules of Noon Sakinah and Tanween<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#Stop_Reading_About_Tajweed%E2%80%94Start_Mastering_It\" >Stop Reading About Tajweed\u2014Start Mastering It!<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#What_Our_Students_Say_About_Denk_Arabisch_Academy\" >What Our Students Say About Denk Arabisch Academy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#Conclusion\" >Conclusion<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-sakinah-and-tanween-rules\/#FAQs\" >FAQs<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_is_Saakin_in_Tajweed\"><\/span><strong>What is Saakin in Tajweed?<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>A letter is described as <strong>Saakin (\u0633\u0627\u0643\u0646)<\/strong> when it carries <strong>no vowel<\/strong>\u2014meaning it has no <strong>Fathah (\u064e)<\/strong>, <strong>Dammah (\u064f)<\/strong>, or <strong>Kasrah (\u0650)<\/strong>.<\/p>\n\n\n\n<p>This state is marked by a small circle above the letter, known as a <strong>sukoon (\u0652)<\/strong>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Key Features of a Saakin Letter:<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>It is <strong>still<\/strong> (no \u062d\u0631\u0643\u0629 \/ harakah)<\/li>\n\n\n\n<li>It does not carry any <strong>vowel sound<\/strong><\/li>\n\n\n\n<li>It depends on <strong>surrounding letters<\/strong> for pronunciation flow<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Example:<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u0646\u0652 (Noon with sukoon)<\/li>\n<\/ul>\n\n\n\n<p>In Tajweed, recognizing a Saakin letter is essential because many rules are based on how this silent letter interacts with the letter that follows it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Definition_of_Noon_Sakinah_and_Tanween\"><\/span><strong>Definition of Noon Sakinah and Tanween<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Noon Sakinah (\u0627\u0644\u0646\u0648\u0646 \u0627\u0644\u0633\u0627\u0643\u0646\u0629) is a Noon (\u0646) with sukoon, producing a clear \u201cN\u201d sound without a vowel.<\/p>\n\n\n\n<p>Tanween (\u0627\u0644\u062a\u0646\u0648\u064a\u0646) are double vowel endings (\u064b \u064d \u064c) that also produce an \u201cN\u201d sound, so both follow the same Tajweed rules depending on the next letter.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>1. Noon Sakinah (\u0627\u0644\u0646\u0648\u0646 \u0627\u0644\u0633\u0627\u0643\u0646\u0629)<\/strong><\/h3>\n\n\n\n<p><strong>Noon Sakinah<\/strong> is a letter Noon (\u0646) that carries a <strong>Sukoon<\/strong> ( \u0652 ). This means the letter is &#8220;resting&#8221; or &#8220;still&#8221;\u2014it has no vowel sound (like a, i, or u) attached to it.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>2. Tanween (\u0627\u0644\u062a\u0646\u0648\u064a\u0646)<\/strong><\/h3>\n\n\n\n<p><strong>Tanween<\/strong> refers to the double vowel markings found at the end of nouns:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Two Fathahs (\u064b):<\/strong> Pronounced &#8220;an&#8221;<\/li>\n\n\n\n<li><strong>Two Kasrahs (\u064d):<\/strong> Pronounced &#8220;in&#8221;<\/li>\n\n\n\n<li><strong>Two Dammahs (\u064c):<\/strong> Pronounced &#8220;un&#8221;<\/li>\n<\/ul>\n\n\n\n<p>Though written as double vowels, they are phonetically identical to a Noon Sakinah. For example, <strong>\u0628\u064c<\/strong> is pronounced exactly like <strong>\u0628\u064f\u0646\u0652<\/strong> (bun).<\/p>\n\n\n\n<p><strong>Key Takeaway:<\/strong> For the purposes of Tajweed, Noon Sakinah and Tanween are treated exactly the same because they both result in an &#8220;N&#8221; sound that needs a specific pronunciation based on the letter that follows it.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Difference_Between_Noon_Sakinah_and_Tanween\"><\/span><strong>The Difference Between Noon Sakinah and Tanween<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Feature<\/strong><\/td><td><strong>Noon Sakinah (\u0646\u0652)<\/strong><\/td><td><strong>Tanween (\u064b \u064d \u064c)<\/strong><\/td><\/tr><tr><td><strong>Written Form<\/strong><\/td><td>Written as the letter Noon (\u0646).<\/td><td>Written as double vowels (\u0640\u064b \u0640\u064c \u0640\u064d).<\/td><\/tr><tr><td><strong>Pronunciation<\/strong><\/td><td>Always pronounced as &#8220;n&#8221;.<\/td><td>Pronounced as &#8220;n&#8221;, but only when continuing recitation.<\/td><\/tr><tr><td><strong>Position in Word<\/strong><\/td><td>Can occur in the middle or end of a word.<\/td><td>Only occurs at the very end of a word.<\/td><\/tr><tr><td><strong>Type of Word<\/strong><\/td><td>Found in nouns, verbs, and particles.<\/td><td>Found only in nouns.<\/td><\/tr><tr><td><strong>Permanence<\/strong><\/td><td>Remains an &#8220;n&#8221; sound even if you stop reading.<\/td><td>The &#8220;n&#8221; sound disappears if you stop on the word.<\/td><\/tr><tr><td><strong>Original\/Extra<\/strong><\/td><td>Original letter<\/td><td>Extra added sound<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Four_Rules_of_Noon_Sakinah_and_Tanween\"><\/span><strong>The Four Rules of Noon Sakinah and Tanween<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>There are four primary ways to pronounce Noon Sakinah or Tanween. The rule you choose depends entirely on the <strong>first letter of the next word<\/strong> (or the next letter in the same word for Noon Sakinah).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>1. Izhar Halqi<\/strong><\/h3>\n\n\n\n<p><strong>Izhar \u201c\u0625\u0638\u0647\u0627\u0631\u201d<\/strong> literally means &#8220;clarification&#8221; or &#8220;making clear.&#8221; <strong>Halqi \u201c\u062d\u0644\u0642\u064a\u201d<\/strong> refers to the throat. This rule dictates that you must pronounce the Noon sound clearly from its point of origin (the tip of the tongue) without any extra nasalization (Ghunnah).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>The Letters of Izhar:<\/strong><\/h4>\n\n\n\n<p>There are six throat letters. If any of these follow a Noon Sakinah or Tanween, you apply Izhar:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Hamza ( \u0621 )<\/strong><\/li>\n\n\n\n<li><strong>Haa ( \u0647 )<\/strong><\/li>\n\n\n\n<li><strong>\u2018Ayn ( \u0639 )<\/strong><\/li>\n\n\n\n<li><strong>Haa ( \u062d )<\/strong><\/li>\n\n\n\n<li><strong>Ghayn ( \u063a )<\/strong><\/li>\n\n\n\n<li><strong>Khaa ( \u062e )<\/strong><\/li>\n<\/ul>\n\n\n\n<p>The following examples demonstrate how to pronounce the Noon Sakinah or Tanween clearly when followed by one of the throat letters.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A. The Letter: Hamza ( \u0621 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&nbsp;<strong>\u0648\u064e\u0647\u064f\u0645\u0652 \u064a\u064e\u0646\u0652\u0647\u064e\u0648\u0652\u0646\u064e \u0639\u064e\u0646\u0652\u0647\u064f \u0648\u064e\u064a\u064e<\/strong><strong>\u0646\u0652\u0623\u064e<\/strong><strong>\u0648\u0652\u0646\u064e \u0639\u064e\u0646\u0652\u0647\u064f (\u0633\u0648\u0631\u0629 \u0627\u0644\u0623\u0646\u0639\u0627\u0645)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;And they prevent others from him and keep themselves away from him.&#8221; (Surah: Al-An&#8217;am)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> Wayan&#8217;awna<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter Hamza within the same word. You must pronounce the &#8220;N&#8221; sound clearly with the tip of your tongue touching the roof of your mouth, then proceed to the Hamza without any nasal humming.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B. The Letter: Haa ( \u0647\u0640 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong>&nbsp;<\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-style-default is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>\u0645\u0650<\/strong><strong>\u0646\u0652 \u0647\u064e<\/strong><strong>\u0627\u062f\u064d (\u0633\u0648\u0631\u0629 \u0627\u0644\u0631\u0639\u062f)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;any provider of guidance&#8221; (Surah: Ar-Ra&#8217;d)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> Min haadin<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> Here, the Noon Sakinah appears at the end of the first word and is followed by the letter Haa in the next word. The rule dictates that the &#8220;N&#8221; in Min must be perfectly clear and distinct.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>C. The Letter: \u2018Ayn ( \u0639 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>\u0635\u0650\u0631\u064e\u0627\u0637\u064e \u0627\u0644\u064e\u0651\u0630\u0650\u064a\u0646\u064e \u0623\u064e<\/strong><strong>\u0646\u0652\u0639\u064e<\/strong><strong>\u0645\u0652\u062a\u064e \u0639\u064e\u0644\u064e\u064a\u0652\u0647\u0650\u0645\u0652 (\u0633\u0648\u0631\u0629 \u0627\u0644\u0641\u0627\u062a\u062d\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;The path of those upon whom You have bestowed favor.&#8221; (Surah: Al-Fatihah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> An&#8217;amta &#8216;alayhim<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> This is a very famous example from Surah Al-Fatihah. The Noon Sakinah is followed by the throat letter \u2018Ayn. You should articulate the &#8220;N&#8221; sound fully before moving into the deep throat sound of the \u2018Ayn.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>D. The Letter: Ha ( \u062d )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;\u0648\u064e\u0643\u064e\u0627\u0646\u064e \u0627\u0644\u0644\u064e\u0651\u0647\u064f \u0639\u064e\u0632\u0650\u064a<\/strong><strong>\u0632\u064b\u0627 \u062d\u064e<\/strong><strong>\u0643\u0650\u064a\u0645\u064b\u0627 (\u0633\u0648\u0631\u0629 \u0627\u0644\u0646\u0633\u0627\u0621)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;And ever is Allah Exalted in Might and Wise.&#8221; (Surah: An-Nisa)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> Wa kaana Allahu \u2018Azeezan Hakeema<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> This example uses <strong>Tanween Fath <\/strong>(the &#8220;an&#8221; sound). Because the letter following the Tanween is the throat letter Ha, the &#8220;an&#8221; sound at the end of &#8216;Azeezan must be clear, as if you are saying a plain letter Noon.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>E. The Letter: Ghayn ( \u063a )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;\u0645\u0650<\/strong><strong>\u0646\u0652 \u063a\u0650<\/strong><strong>\u0644\u064d\u0651 (\u0633\u0648\u0631\u0629 \u0627\u0644\u0623\u0639\u0631\u0627\u0641)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;of resentment&#8221; (Surah: Al-A\u2019raf)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> Min ghillin<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter Ghayn. In this case, you must be careful not to hide the Noon; it should be pronounced sharply and clearly before you produce the scraping sound of the Ghayn.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>F. The Letter: Khaa ( \u062e )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>\u0625\u0650\u0646\u064e\u0651 \u0627\u0644\u0644\u064e\u0651\u0647\u064e \u0639\u064e\u0644\u0650\u064a<\/strong><strong>\u0645\u064c \u062e\u064e<\/strong><strong>\u0628\u0650\u064a\u0631\u064c (\u0633\u0648\u0631\u0629 \u0627\u0644\u062d\u062c\u0631\u0627\u062a)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;Indeed, Allah is Knowing and Acquainted.&#8221; (Surah: Al-Hujurat)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> &#8216;Aleemun khabeer<\/li>\n\n\n\n<li><strong>Explanation:<\/strong> This is another example of <strong>Tanween<\/strong>. When the &#8220;un&#8221; sound at the end of &#8216;Aleemun is followed by the throat letter Khaa, you must ensure the &#8220;N&#8221; sound is manifest and clear, moving quickly to the Khaa without any nasalization (Ghunnah).<\/li>\n<\/ul>\n\n\n\n<div class=\"denk-arabisch-container\">\n    <div class=\"denk-arabisch-cta\">\n        <p class=\"cta-title\">Learn the Quran with Denk Arabisch Academy<\/p>\n        <p class=\"cta-description\">\n           Master reading and understanding the Quran through structured and supportive learning\n        <\/p>\n        <a href=\"https:\/\/wa.me\/4915565810902\" class=\"cta-button\" target=\"_blank\" rel=\"noopener\">\n            Join now\n        <\/a>\n    <\/div>\n<\/div>\n\n<style>\n    .denk-arabisch-container {\n        width: 100% !important;\n        clear: both !important;\n        margin: 30px 0 !important;\n    }\n\n    .denk-arabisch-cta {\n        background-color: #48a9a6 !important; \/* Soft teal from design *\/\n        padding: 60px 20px !important;\n        text-align: center !important;\n        border-radius: 20px !important; \/* More rounded *\/\n        color: #ffffff !important;\n        direction: rtl !important;\n        font-family: 'Segoe UI', Tahoma, Arial, sans-serif !important;\n    }\n\n    .cta-title {\n        font-size: 42px !important; \n        font-weight: 700 !important;\n        color: #ffffff !important;\n        margin: 0 0 20px 0 !important;\n        line-height: 1.2 !important;\n        display: block !important;\n    }\n\n    .cta-description {\n        font-size: 22px !important;\n        color: #f2f7f7 !important;\n        margin: 0 auto 35px auto !important;\n        line-height: 1.5 !important;\n        max-width: 800px !important;\n        display: block !important;\n        font-weight: 400 !important;\n    }\n\n    \/* Button *\/\n    .cta-button {\n        display: inline-block !important;\n        background-color: #e6ecec !important;\n        color: #2f8f8b !important;\n        padding: 15px 40px !important;\n        border-radius: 12px !important; \/* Rounded button *\/\n        text-decoration: none !important;\n        font-weight: bold !important;\n        font-size: 20px !important;\n        border: none !important;\n        box-shadow: 0 4px 10px rgba(0,0,0,0.15) !important;\n        transition: all 0.3s ease !important;\n        cursor: pointer !important;\n    }\n\n    .cta-button:hover {\n        background-color: #d9e3e3 !important;\n        color: #256f6c !important;\n        transform: translateY(-3px) !important;\n        box-shadow: 0 6px 18px rgba(0,0,0,0.2) !important;\n        text-decoration: none !important;\n    }\n\n    @media (max-width: 768px) {\n        .cta-title { font-size: 28px !important; }\n        .cta-description { font-size: 18px !important; }\n        .denk-arabisch-cta { padding: 40px 15px !important; }\n    }\n<\/style>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Summary Table for <\/strong><strong>Izhar<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Letter<\/strong><\/td><td><strong>Quranic Example<\/strong><\/td><td><strong>Transliteration<\/strong><\/td><td><strong>Position<\/strong><\/td><\/tr><tr><td><strong>\u0621<\/strong><\/td><td>\u0648\u064e\u064a\u064e\u0646\u0652\u0623\u064e\u0648\u0652\u0646\u064e<\/td><td>Wayan&#8217;awna<\/td><td>Same word<\/td><\/tr><tr><td><strong>\u0647\u0640<\/strong><\/td><td>\u0645\u0650\u0646\u0652 \u0647\u064e\u0627\u062f\u064d<\/td><td>Min haadin<\/td><td>Two words<\/td><\/tr><tr><td><strong>\u0639<\/strong><\/td><td>\u0623\u064e\u0646\u0652\u0639\u064e\u0645\u0652\u062a\u064e<\/td><td>An&#8217;amta<\/td><td>Same word<\/td><\/tr><tr><td><strong>\u062d<\/strong><\/td><td>\u0639\u064e\u0632\u0650\u064a\u0632\u064b\u0627 \u062d\u064e\u0643\u0650\u064a\u0645\u064b\u0627<\/td><td>&#8216;Azeezun hakeem<\/td><td>Two words (Tanween)<\/td><\/tr><tr><td><strong>\u063a<\/strong><\/td><td>\u0645\u0650\u0646\u0652 \u063a\u0650\u0644\u064d\u0651<\/td><td>Min ghillin<\/td><td>Two words<\/td><\/tr><tr><td><strong>\u062e<\/strong><\/td><td>\u0639\u064e\u0644\u0650\u064a\u0645\u064c \u062e\u064e\u0628\u0650\u064a\u0631\u064c<\/td><td>&#8216;Aleemun khabeer<\/td><td>Two words (Tanween)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>2. Idgham<\/strong><\/h3>\n\n\n\n<p><strong>Idgham<\/strong> \u201c\u0625\u062f\u063a\u0627\u0645\u201d literally means &#8220;to merge&#8221; or &#8220;to assimilate.&#8221; In Tajweed, it occurs when a <strong>Noon Sakinah<\/strong> or <strong>Tanween<\/strong> is followed by one of the letters of Idgham. The &#8220;N&#8221; sound is swallowed or merged into the following letter, which then becomes emphasized (as if it has a Shaddah).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>The Letters of Idgham:<\/strong><\/h4>\n\n\n\n<p>There are six letters of Idgham, collected in the mnemonic word: <strong>Yarmaloon (\u064a\u064e\u0631\u0652\u0645\u064e\u0644\u064f\u0648\u0646)<\/strong>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Yaa<\/strong> ( \u064a )<\/li>\n\n\n\n<li><strong>Raa<\/strong> ( \u0631 )<\/li>\n\n\n\n<li><strong>Meem<\/strong> ( \u0645 )<\/li>\n\n\n\n<li><strong>Laam<\/strong> ( \u0644 )<\/li>\n\n\n\n<li><strong>Waw<\/strong> ( \u0648 )<\/li>\n\n\n\n<li><strong>Noon<\/strong> ( \u0646 )<\/li>\n<\/ul>\n\n\n\n<p>Idgham is divided into two distinct categories based on whether or not you produce a nasal sound (<strong>Ghunnah<\/strong>).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Idgham with Ghunnah<\/strong><\/h4>\n\n\n\n<p>This occurs with four letters: <strong>( \u064a \u060c \u0646 \u060c \u0645 \u060c \u0648 )<\/strong>, collected in the word <strong>&#8220;Yanmu&#8221; (\u064a\u064e\u0646\u0652\u0645\u064f\u0648)<\/strong>. You merge the Noon and hold a nasal hum for two counts.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A. The Letter: Yaa ( \u064a )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>\u0648\u064e\u0645\u064e<\/strong><strong>\u0646 \u064a\u064e<\/strong><strong>\u0639\u0652\u0645\u064e\u0644\u0652 \u0645\u0650\u062b\u0652\u0642\u064e\u0627\u0644\u064e \u0630\u064e\u0631\u064e\u0651\u0629\u064d \u062e\u064e\u064a\u0652\u0631\u064b\u0627 \u064a\u064e\u0631\u064e\u0647\u064f<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0632\u0644\u0632\u0644\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;And whoever does an atom&#8217;s weight of good will see it.&#8221; (Surah: Az-Zalzalah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Wamay-ya\u2018mal<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter Yaa. The &#8220;N&#8221; sound is completely merged into the Yaa, and you must hold a nasal sound (Ghunnah) from your nose for two beats while pronouncing the Yaa.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B. The Letter: Waw ( \u0648 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0645\u0650<\/strong><strong>\u0646 \u0648\u064e<\/strong><strong>\u0644\u0650\u064a\u064d\u0651 \u0648\u064e\u0644\u064e\u0627 \u0646\u064e\u0635\u0650\u064a\u0631\u064d<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;any protector or any helper.&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Miw-waliyyin<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter Waw. Instead of saying &#8220;Min,&#8221; you transition directly from the &#8220;Meem&#8221; to the &#8220;Waw&#8221; with a nasal hum, making it sound like a doubled Waw with Ghunnah.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>C. The Letter: Meem ( \u0645 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0641\u0650\u064a \u0639\u064e\u0645\u064e<\/strong><strong>\u062f\u064d \u0645\u064f\u0651<\/strong><strong>\u0645\u064e\u062f\u064e\u0651\u062f\u064e\u0629\u064d<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0647\u0645\u0632\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;In columns extended.&#8221; (Surah: Al-Humazah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Fee \u2018amadim-mumaddadah<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> This is an example of <strong>Tanween Kasr<\/strong>. The &#8220;in&#8221; sound at the end of <em>\u2018amadin<\/em> is followed by Meem. The Tanween merges fully into the Meem, creating a strong nasal connection between the two words.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>D. The Letter: Noon ( \u0646 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0645\u0650<\/strong><strong>\u0646 \u0646\u064f\u0651<\/strong><strong>\u0637\u0652\u0641\u064e\u0629\u064d \u062e\u064e\u0644\u064e\u0642\u064e\u0647\u064f \u0641\u064e\u0642\u064e\u062f\u064e\u0651\u0631\u064e\u0647\u064f<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0639\u0628\u0633)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;From a sperm-drop He created him and destined for him.&#8221; (Surah: \u2018Abasa)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Min-nutfatin<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The <strong>Noon Sakinah<\/strong> is followed by another letter <strong>Noon<\/strong>. In this case, the first Noon merges completely into the second one, resulting in a single Noon with a <strong>Shaddah<\/strong> (emphasis). You must hold the nasal sound (<strong>Ghunnah<\/strong>) for two counts, making it a smooth, vibrating transition from the nose.<\/li>\n<\/ul>\n\n\n\n<p>Read also: <a href=\"https:\/\/denkarabisch.de\/en\/blog\/noon-and-meem-mushaddad\/\">Noon And Meem Mushaddad \u2013 A Complete Tajweed Guide<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Idgham without Ghunnah<\/strong><\/h3>\n\n\n\n<p>This occurs with two letters: <strong>( \u0644 \u060c \u0631 )<\/strong>. The Noon is swallowed completely, and there is <strong>no<\/strong> nasal sound at all.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A. The Letter: Raa ( \u0631 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0623\u064e<\/strong><strong>\u0646 \u0631\u064e\u0651<\/strong><strong>\u0622\u0647\u064f \u0627\u0633\u0652\u062a\u064e\u063a\u0652\u0646\u064e\u0649\u0670<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0639\u0644\u0642)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;because he sees himself self-sufficient.&#8221; (Surah: Al-\u2018Alaq)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Ar-ra&#8217;aahu<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by Raa. The &#8220;N&#8221; sound disappears entirely. You move straight from the Hamza to a heavy Raa, as if the Noon was never written. There is no humming in the nose.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B. The Letter: Laam ( \u0644 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0648\u064e\u064a\u0652<\/strong><strong>\u0644\u064c \u0644\u0650\u0651<\/strong><strong>\u0643\u064f\u0644\u0650\u0651 \u0647\u064f\u0645\u064e\u0632\u064e\u0629\u064d \u0644\u064f\u0651\u0645\u064e\u0632\u064e\u0629\u064d<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0647\u0645\u0632\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;Woe to every scorner and mocker.&#8221; (Surah: Al-Humazah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Waylul-likulli<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The <strong>Tanween Damm<\/strong> is followed by the letter Laam. The &#8220;un&#8221; sound merges totally into the Laam. You pronounce it as &#8220;Waylul,&#8221; moving directly to the doubled Laam without any nasalization.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Summary Table for Idgham<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Letter<\/strong><\/td><td><strong>Category<\/strong><\/td><td><strong>Quranic Example<\/strong><\/td><td><strong>Transliteration<\/strong><\/td><\/tr><tr><td><strong>\u064a<\/strong><\/td><td>With Ghunnah<\/td><td><strong>\u0648\u064e\u0645\u064e\u0646 \u064a\u064e\u0639\u0652\u0645\u064e\u0644\u0652<\/strong><\/td><td>Wamay-ya\u2018mal<\/td><\/tr><tr><td><strong>\u0646<\/strong><\/td><td>With Ghunnah<\/td><td><strong>\u0645\u0650\u0646 \u0646\u064f\u0651\u0637\u0652\u0641\u064e\u0629\u064d<\/strong><\/td><td>Min-nutfatin<\/td><\/tr><tr><td><strong>\u0645<\/strong><\/td><td>With Ghunnah<\/td><td><strong>\u0639\u064e\u0645\u064e\u062f\u064d \u0645\u064f\u0651\u0645\u064e\u062f\u064e\u0651\u062f\u064e\u0629\u064d<\/strong><\/td><td>\u2018Amadim-mumaddadah<\/td><\/tr><tr><td><strong>\u0648<\/strong><\/td><td>With Ghunnah<\/td><td><strong>\u0645\u0650\u0646 \u0648\u064e\u0644\u0650\u064a\u064d\u0651<\/strong><\/td><td>Miw-waliyyin<\/td><\/tr><tr><td><strong>\u0644<\/strong><\/td><td>Without Ghunnah<\/td><td><strong>\u0648\u064e\u064a\u0652\u0644\u064c \u0644\u0650\u0651\u0643\u064f\u0644\u0650\u0651<\/strong><\/td><td>Waylul-likulli<\/td><\/tr><tr><td><strong>\u0631<\/strong><\/td><td>Without Ghunnah<\/td><td><strong>\u0645\u0650\u0646 \u0631\u064e\u0651\u0628\u0650\u0651\u0647\u0650\u0645\u0652<\/strong><\/td><td>Mir-rabbihim<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>3. Iqlab<\/strong><\/h3>\n\n\n\n<p><strong>Iqlab<\/strong> \u201c\u0625\u0642\u0644\u0627\u0628\u201d literally means &#8220;to turn&#8221; or &#8220;to convert.&#8221; It is the process of turning the sound of <strong>Noon Sakinah<\/strong> or <strong>Tanween<\/strong> into a <strong>Meem<\/strong> sound because of the letter that follows it.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>The Letter of Iqlab:<\/strong><\/h4>\n\n\n\n<p>There is only one letter for this rule: <strong>Baa ( \u0628 )<\/strong>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>How to Pronounce:<\/strong><\/h4>\n\n\n\n<p>When a Noon Sakinah or Tanween is followed by a <strong>Baa<\/strong>, the &#8220;N&#8221; sound turns into a <strong>Meem (\u0645)<\/strong> sound. You must also apply <strong>Ghunnah<\/strong> (nasalization) for two counts while closing the lips lightly.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Visual Aid:<\/strong> In many Mushafs, a small &#8220;m&#8221; (\u0645) is placed above the Noon to remind you of this rule.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A. Iqlab with Noon Sakinah (In two words)<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0645\u0650<\/strong><strong>\u0646 \u0628\u064e<\/strong><strong>\u0639\u0652\u062f\u0650 \u0645\u064e\u0627 \u062c\u064e\u0627\u0621\u064e\u062a\u0652\u0647\u064f\u0645\u064f \u0627\u0644\u0652\u0628\u064e\u064a\u0650\u0651\u0646\u064e\u0627\u062a\u064f<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;after the clear evidences had come to them.&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Mim-ba\u2018di<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter Baa. Instead of pronouncing the &#8220;N,&#8221; you &#8220;turn&#8221; it into a Meem sound. You must close your lips lightly and hold a nasal hum (Ghunnah) for two counts. It sounds like <em>Mim-ba\u2018di<\/em>.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B. Iqlab with Noon Sakinah (In one word)<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0642\u064e\u0627\u0644\u064e \u064a\u064e\u0627 \u0622\u062f\u064e\u0645\u064f \u0623\u064e<\/strong><strong>\u0646\u0628\u0650<\/strong><strong>\u0626\u0652\u0647\u064f\u0645 \u0628\u0650\u0623\u064e\u0633\u0652\u0645\u064e\u0627\u0626\u0650\u0647\u0650\u0645\u0652<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;He said, &#8216;O Adam, inform them of their names.'&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Am-bi&#8217;hum<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> Here, the Noon Sakinah and the letter Baa meet within a single word. The same rule applies: the Noon is converted into a Meem. You pronounce it as <em>Am-bi&#8217;hum<\/em> with a two-count nasalization.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>C. Iqlab with Tanween<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0648\u064e\u0627\u0644\u0644\u064e\u0651\u0647\u064f \u0633\u064e\u0645\u0650\u064a<\/strong><strong>\u0639\u064c \u0628\u064e<\/strong><strong>\u0635\u0650\u064a\u0631\u064c<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;And Allah is All-Hearing, All-Seeing.&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Samee\u2018um-baseer<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> This example uses <strong>Tanween Damm<\/strong> (the &#8220;un&#8221; sound). Because it is followed by the letter Baa, the &#8220;un&#8221; sound turns into &#8220;um.&#8221; You transition from the word <em>Samee\u2018un<\/em> to <em>Samee\u2018um<\/em> while keeping the lips lightly closed for the Ghunnah.<\/li>\n<\/ul>\n\n\n\n<div class=\"denk-arabisch-container\">\n    <div class=\"denk-arabisch-cta\">\n        <p class=\"cta-title\">Learn the Quran with Denk Arabisch Academy<\/p>\n        <p class=\"cta-description\">\n           Master reading and understanding the Quran through structured and supportive learning\n        <\/p>\n        <a href=\"https:\/\/wa.me\/4915565810902\" class=\"cta-button\" target=\"_blank\" rel=\"noopener\">\n            Join now\n        <\/a>\n    <\/div>\n<\/div>\n\n<style>\n    .denk-arabisch-container {\n        width: 100% !important;\n        clear: both !important;\n        margin: 30px 0 !important;\n    }\n\n    .denk-arabisch-cta {\n        background-color: #48a9a6 !important; \/* Soft teal from design *\/\n        padding: 60px 20px !important;\n        text-align: center !important;\n        border-radius: 20px !important; \/* More rounded *\/\n        color: #ffffff !important;\n        direction: rtl !important;\n        font-family: 'Segoe UI', Tahoma, Arial, sans-serif !important;\n    }\n\n    .cta-title {\n        font-size: 42px !important; \n        font-weight: 700 !important;\n        color: #ffffff !important;\n        margin: 0 0 20px 0 !important;\n        line-height: 1.2 !important;\n        display: block !important;\n    }\n\n    .cta-description {\n        font-size: 22px !important;\n        color: #f2f7f7 !important;\n        margin: 0 auto 35px auto !important;\n        line-height: 1.5 !important;\n        max-width: 800px !important;\n        display: block !important;\n        font-weight: 400 !important;\n    }\n\n    \/* Button *\/\n    .cta-button {\n        display: inline-block !important;\n        background-color: #e6ecec !important;\n        color: #2f8f8b !important;\n        padding: 15px 40px !important;\n        border-radius: 12px !important; \/* Rounded button *\/\n        text-decoration: none !important;\n        font-weight: bold !important;\n        font-size: 20px !important;\n        border: none !important;\n        box-shadow: 0 4px 10px rgba(0,0,0,0.15) !important;\n        transition: all 0.3s ease !important;\n        cursor: pointer !important;\n    }\n\n    .cta-button:hover {\n        background-color: #d9e3e3 !important;\n        color: #256f6c !important;\n        transform: translateY(-3px) !important;\n        box-shadow: 0 6px 18px rgba(0,0,0,0.2) !important;\n        text-decoration: none !important;\n    }\n\n    @media (max-width: 768px) {\n        .cta-title { font-size: 28px !important; }\n        .cta-description { font-size: 18px !important; }\n        .denk-arabisch-cta { padding: 40px 15px !important; }\n    }\n<\/style>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Summary Table for Iqlab<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Letter<\/strong><\/td><td><strong>Quranic Example<\/strong><\/td><td><strong>Transliteration<\/strong><\/td><td><strong>Position<\/strong><\/td><\/tr><tr><td><strong>\u0628<\/strong><\/td><td><strong>\u0645\u0650\u0646 \u0628\u064e\u0639\u0652\u062f\u0650<\/strong><\/td><td>Mim-ba\u2018di<\/td><td>Two words<\/td><\/tr><tr><td><strong>\u0628<\/strong><\/td><td><strong>\u0623\u064e\u0646\u0628\u0650\u0626\u0652\u0647\u064f\u0645<\/strong><\/td><td>Am-bi&#8217;hum<\/td><td>Same word<\/td><\/tr><tr><td><strong>\u0628<\/strong><\/td><td><strong>\u0633\u064e\u0645\u0650\u064a\u0639\u064c \u0628\u064e\u0635\u0650\u064a\u0631\u064c<\/strong><\/td><td>Samee\u2018um-baseer<\/td><td>Two words (Tanween)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>4. Ikhfa Haqiqi<\/strong><\/h3>\n\n\n\n<p><strong>Ikhfa<\/strong> \u201c\u0625\u062e\u0641\u0627\u0621\u201d literally means &#8220;to hide&#8221; or &#8220;to conceal.&#8221; In Tajweed, it refers to hiding the <strong>Noon Sakinah<\/strong> or <strong>Tanween<\/strong> sound. Instead of the tongue touching the roof of the mouth for a clear &#8220;N,&#8221; it hovers near the exit point of the next letter while producing a nasal sound (<strong>Ghunnah<\/strong>).<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>The Letters of Ikhfa:<\/strong><\/h4>\n\n\n\n<p>There are 15 letters of Ikhfa. If you see any of these following a Noon Sakinah or Tanween, you apply the rule: <strong>( \u0635 \u060c \u0630 \u060c \u062b \u060c \u0643 \u060c \u062c \u060c \u0634 \u060c \u0642 \u060c \u0633 \u060c \u062f \u060c \u0637 \u060c \u0632 \u060c \u0641 \u060c \u062a \u060c \u0636 \u060c \u0638 )<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A. The Letter: Taa ( \u062a )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u062c\u064e\u0646\u064e\u0651\u0627<\/strong><strong>\u062a\u064d \u062a\u064e<\/strong><strong>\u062c\u0652\u0631\u0650\u064a \u0645\u0650\u0646 \u062a\u064e\u062d\u0652\u062a\u0650\u0647\u064e\u0627 \u0627\u0644\u0652\u0623\u064e\u0646\u0652\u0647\u064e\u0627\u0631\u064f<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u064a\u0646\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;Gardens underneath which rivers flow.&#8221; (Surah: Al-Bayyinah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Min tahtiha<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter <strong>Taa<\/strong>. To pronounce this correctly, you do not let your tongue touch the roof of the mouth for the &#8220;N.&#8221; Instead, you keep your tongue close to the teeth (preparing for the Taa) and let the &#8220;N&#8221; sound come primarily from the nose for two counts. It sounds like a soft, breathy nasal shadow.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B. The Letter: Qaaf ( \u0642 )<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quranic Example:<\/strong><\/li>\n<\/ul>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0645\u0650<\/strong><strong>\u0646 \u0642\u064e<\/strong><strong>\u0628\u0652\u0644\u0650 \u0623\u064e\u0646 \u064a\u064e\u0623\u0652\u062a\u0650\u064a\u064e \u064a\u064e\u0648\u0652\u0645\u064c<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;Before there comes a Day.&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>Min-qabli<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> The Noon Sakinah is followed by the letter <strong>Qaaf<\/strong>. Since Qaaf is a &#8220;heavy&#8221; letter, the Ikhfa sound also becomes heavy. You prepare the back of your tongue for the Qaaf while the nasal sound resonates deeply.<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>C. The Letter: Kaaf ( \u0643 )<\/strong><\/h4>\n\n\n\n<p><strong>Quranic Example:<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>&nbsp;<\/strong><strong>\u0625\u0650<\/strong><strong>\u0646 \u0643\u064f<\/strong><strong>\u0646\u062a\u064f\u0645\u0652 \u0635\u064e\u0627\u062f\u0650\u0642\u0650\u064a\u0646\u064e<\/strong><strong> (\u0633\u0648\u0631\u0629 \u0627\u0644\u0628\u0642\u0631\u0629)<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p><strong>&#8220;If you should be truthful.&#8221; (Surah: Al-Baqarah)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Transliteration (Ta&#8217;reeb):<\/strong> <em>In-kuntum<\/em><\/li>\n\n\n\n<li><strong>Explanation:<\/strong> In this phrase, both words contain Ikhfa. The Noon is &#8220;hidden&#8221; before the <strong>Kaaf<\/strong> and the <strong>Taa<\/strong>. You move smoothly from a nasalized &#8220;I&#8221; to the Kaaf without the tongue ever making a sharp &#8220;N&#8221; sound.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Summary Table for Ikhfa<\/strong><\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Letter<\/strong><\/td><td><strong>Quranic Example<\/strong><\/td><td><strong>Transliteration<\/strong><\/td><td><strong>Quality<\/strong><\/td><\/tr><tr><td><strong>\u062a<\/strong><\/td><td><strong>\u0645\u0650\u0646 \u062a\u064e\u062d\u0652\u062a\u0650\u0647\u064e\u0627<\/strong><\/td><td>Min tahtiha<\/td><td>Light Ghunnah<\/td><\/tr><tr><td><strong>\u0642<\/strong><\/td><td><strong>\u0645\u0650\u0646 \u0642\u064e\u0628\u0652\u0644\u0650<\/strong><\/td><td>Min-qabli<\/td><td>Heavy Ghunnah<\/td><\/tr><tr><td><strong>\u0643<\/strong><\/td><td><strong>\u0625\u0650\u0646 \u0643\u064f\u0646\u062a\u064f\u0645\u0652<\/strong><\/td><td>In-kuntum<\/td><td>Light Ghunnah<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>Read also: <a href=\"https:\/\/denkarabisch.de\/en\/blog\/ghunnah-rules\/\">Ghunnah Rules In Tajweed \u2013 A Complete Guide With Examples<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Stop_Reading_About_Tajweed%E2%80%94Start_Mastering_It\"><\/span><strong>Stop Reading About Tajweed\u2014Start Mastering It!<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Do you want to feel the true beauty of the Quranic rhythm but don&#8217;t know where to start? Reading rules is great, but <strong>nothing<\/strong> replaces the guidance of an expert.<\/p>\n\n\n\n<p>At <strong>Denk Arabisch<\/strong>, we turn your hesitation into confidence. Our <a href=\"https:\/\/denkarabisch.de\/en\/courses\/quran\/tajweed\/\"><strong>Quran Tajweed Course for German speakers<\/strong><\/a> is designed to fix your pronunciation in record time.<\/p>\n\n\n\n<p><strong>Why join Akademie Denk Arabisch?<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Live Feedback:<\/strong> Get corrected in real-time by qualified teachers who understand your specific linguistic challenges.<\/li>\n\n\n\n<li><strong>Tailored for Busy Lives:<\/strong> Flexible schedules that fit your freelance work, studies, or family life.<\/li>\n\n\n\n<li><strong>Proven Results:<\/strong> Move from basic reading to beautiful, rhythmic Tajweed with our step-by-step methodology.<\/li>\n\n\n\n<li><strong>Modern Approach:<\/strong> We simplify complex classical rules into easy-to-apply techniques<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Our Courses Include:<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/arabic\/arabic-language\/\">Arabic Courses for German Speakers<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/arabic-levels\/\">Arabic Levels for German Speakers&nbsp;<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/arabic-dialect\/\">Arabic Dialect Courses for German Speakers<\/a>&nbsp;<\/li>\n\n\n\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/quran\/\">Qur\u2019an Learning Courses for German Speakers<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/islamic-studies\">Islamic Studies Courses for German Speakers<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/denkarabisch.de\/en\/courses\/kids\/\">Courses for Muslim Kids for German Speakers<\/a><\/li>\n<\/ul>\n\n\n\n<p><strong>Register now at Denk Arabisch and transform your recitation today!<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_Our_Students_Say_About_Denk_Arabisch_Academy\"><\/span><strong>What Our Students Say About Denk Arabisch Academy<\/strong><strong><\/strong><strong><\/strong><strong><\/strong><strong><\/strong><strong><\/strong><strong><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>See what our students say about learning at Denk Arabisch Academy on Trustpilot. Read their experiences and&nbsp;<a href=\"https:\/\/www.trustpilot.com\/review\/denkarabisch.de\">check out more reviews<\/a>&nbsp;to discover how our courses help improve Arabic.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18.png\" alt=\"\" class=\"wp-image-1839\" title=\"\" srcset=\"https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18.png 1024w, https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18-300x169.png 300w, https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18-768x432.png 768w, https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18-60x34.png 60w, https:\/\/denkarabisch.de\/en\/wp-content\/uploads\/2026\/04\/image-18-80x45.png 80w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Conclusion\"><\/span><strong>Conclusion<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Mastering the rules of Noon Sakinah and Tanween is a foundational step in your Tajweed journey. These rules are not just technical guidelines\u2014they are the key to transforming your recitation into a smooth, rhythmic, and spiritually enriching experience.<\/p>\n\n\n\n<p>By understanding when to apply Izhar, Idgham, Iqlab, and Ikhfa, you gain control over one of the most frequent sounds in the Quran. With consistent practice, careful listening, and proper guidance, these rules will become second nature.<\/p>\n\n\n\n<p>Remember, Tajweed is best learned through both knowledge and practice. So take your time, revisit examples, and recite regularly. With dedication, you will not only improve your pronunciation but also deepen your connection with the words of the Quran.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"FAQs\"><\/span><strong>FAQs<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n<div id=\"rank-math-faq\" class=\"rank-math-block\">\n<div class=\"rank-math-list \">\n<div id=\"faq-question-1777122431746\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>1. What is the difference between Noon Sakinah and Tanween?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p>Noon Sakinah is a written letter (\u0646\u0652) with a sukoon, while Tanween (\u064b \u064c \u064d) is a double vowel marking that produces an \u201cn\u201d sound at the end of a word. Although they look different, both are pronounced similarly and follow the same Tajweed rules.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122804253\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>2. How many rules apply to Noon Sakinah and Tanween?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> There are four main rules:<br \/>Izhar (clarity)<br \/>Idgham (merging)<br \/>Iqlab (conversion)<br \/>Ikhfa (hiding)<br \/>Each rule depends on the letter that comes after the Noon Sakinah or Tanween.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122862198\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>3. How long should the Ghunnah (nasal sound) be held?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> The Ghunnah is typically held for <strong>two counts<\/strong> (about the time it takes to say \u201cone-two\u201d or gently tap your finger twice). This applies in Idgham with Ghunnah, Iqlab, and Ikhfa.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122895781\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>4. Does Tanween appear in the middle of a word?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> No, Tanween only appears <strong>at the end of nouns<\/strong>. It never comes in the middle of a word, unlike Noon Sakinah, which can appear in both middle and end positions.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122937852\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>5. Can Ikhfa occur within a single word?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> Yes, Ikhfa can occur within the same word when a Noon Sakinah is followed by one of the 15 Ikhfa letters. However, Tanween always occurs between two words.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122951795\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>6. Why is there no Ghunnah in Izhar?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> Because Izhar means \u201cclarity,\u201d the Noon sound must be pronounced clearly without nasalization. Adding Ghunnah would interfere with the clean articulation required for throat letters.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122974757\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>7. What is the easiest rule to recognize?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> Iqlab is often the easiest because it applies to only <strong>one letter (\u0628)<\/strong>. Whenever you see Noon Sakinah or Tanween followed by \u0628, you convert the \u201cn\u201d sound into a soft \u201cm\u201d with Ghunnah.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777122987404\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>8. What is the hardest rule for beginners?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> Many learners find <strong>Ikhfa<\/strong> challenging because it requires balancing between hiding the sound and maintaining proper nasalization, while also adjusting for heavy and light letters.<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777123000326\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>9. What happens if I stop (waqf) on a word with Tanween?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p> When stopping, the \u201cn\u201d sound of Tanween <strong>disappears<\/strong>, and the word is pronounced without it (e.g., \u201c\u0643\u062a\u0627\u0628\u064c\u201d becomes \u201c\u0643\u062a\u0627\u0628\u201d).<\/p>\n\n<\/div>\n<\/div>\n<div id=\"faq-question-1777123032868\" class=\"rank-math-list-item\">\n<h3 class=\"rank-math-question \"><strong>10. How can I master these rules effectively?<br><\/strong><\/h3>\n<div class=\"rank-math-answer \">\n\n<p>The best way is through:<br \/>Listening to skilled reciters<br \/>Practicing consistently<br \/>Getting feedback from a qualified teacher<br \/>Using color-coded Mushafs for visual reinforcement\u00a0<\/p>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Takeaway: Mastering the recitation of the Quran begins with understanding how letters interact. Among the most fundamental yet transformative rules are those governing Noon Sakinah and Tanween. These rules dictate how the &#8220;N&#8221; sound is pronounced, merged, or hidden, giving the Quranic recitation its unique, melodic rhythm and precision. In this comprehensive guide, we will [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":1837,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[241],"tags":[],"class_list":["post-1836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-quran"],"_links":{"self":[{"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/posts\/1836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/comments?post=1836"}],"version-history":[{"count":5,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/posts\/1836\/revisions"}],"predecessor-version":[{"id":2462,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/posts\/1836\/revisions\/2462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/media\/1837"}],"wp:attachment":[{"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/media?parent=1836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/categories?post=1836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/denkarabisch.de\/en\/wp-json\/wp\/v2\/tags?post=1836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}